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Hardcover - 477 pages largeprint edition (December 1998) G K Hall & Co; ISBN: 0783803915 |
![]() amazon.co.uk Paperback - 315 pages (11 August, 1997) Mandarin; ISBN: 0749324295 |
![]() amazon.ca Paperback - 336 pages (October 1, 1998) Simon and Schuster ; ISBN: 0684843420 |
Charlotte Heywood is an ordinary, sensible young lady of 22. By way of an accident, she is invited to spend the summer with Mr and Mrs Parker of Sanditon, a new, seaside resort. Mr Parker is its enthusiastic developer and promoter. Lady Denham is the local wealthy curmudgeon. She has several relatives around who are hoping to inherit; her late husband's nephew and niece, Sir Edward and Miss Esther Denham and Clara Brereton, Lady D's cousin.
There are a number of Parkers besides the above mentioned Mr Tom Parker, 35, and his wife Mary and their four children. Mr Parkers sisters and brothers visit; Miss Parker and Miss Diana Parker, 34, and Mr Arthur Parker, 21, are notorious hypochondriacs. Mr Sidney Parker, 28, is tall, handsome, rich and known for his high spirits.
Then, there are other summer residents; Mrs Griffiths who is chaperoning the Miss Beauforts and Miss Lambe; and Mr Reginald Catton and Mr Henry Brudenall, who are friends of Sidney Parker. The young ladies try to attract the young men. There are secret liaisons. There is an unlikely villain. There is a real invalid (unlike the aforementioned Parkers). By the last two chapters, most of the lovers are revealed. The hero and heroine do not come to an understanding until the last few pages.
While the story in itself was not bad, it was far from Jane Austen. In one instance, a single, young man not only writes to a single, young lady, but gives her a gift. And there is a very implausible adventure at the end.
Should you come upon
this book, I recommend that you read it and see
what you think.
And there's this wonderfully Janeian passage:
"I make no apologies
for my heroine's vanity. If there are young
ladies in the world at her time of life more dull of fancy and more
careless
of pleasing, I know them not and never wish to know them."
I liked it. I thought
that Sir Edward Denham was a cross between of
all things, Mr. Wickham, and Mr. Collins. Even though "Our Own Dear
Jane"
wrote that Sir Edward Denham thought himself in the line of "Lovelace"
from "Clarissa", he was to stupid to be a "Lovelace".
The story begins when Mr. and Mrs. Parker accidentally overturn their carriage while in search of a surgeon - the novel even opens ironically! They are rescued and taken in by the Heywood family. It turns out that Mr. Parker is trying to develop a fashionable seaside resort at Sanditon, the parish in which he lives and owns much property. Mr. Parker is quite fanatical about the merits of Sanditon:
Sanditon was a second wife and four children to him, hardly less dear, and certainly nbsp; more engrossing. He could talk of it forever. It had indeed the highest claims; not only those of birthplace, property and home; it was his mine, his lottery, his speculation and his hobby horse; his occupation, his hope and his futurity.
(Sanditon, Jane Austen, Chap. 2)
After a short stay with the Heywoods, Mr. and Mrs. Parker persuade them to allow their eldest daughter, Charlotte, to accompany them back to Sanditon for a visit. During her journey to the coast, Mr. Parker gives Charlotte a detailed assessment of the major characters currently residing in Sanditon. However, when the observant and astute Charlotte arrives and meets them all in person, she realizes that Mr. Parker's agreeable nature has caused him to misrepresent most of them. We hear Charlotte's private musings as well as Jane Austen's familiar witty commentary on each characters' idiosyncrasies. Among the inhabitants of Sanditon are Lady Denham, a rather shrewish and suspicious woman who is constantly courted by three different sets of relatives for her money; Sir Edward Denham, a silly young man who misquotes poetry and who has convinced himself that he is irresistible to women; and Mr. Parker's sisters who are extreme hypochondriacs (to say the least).
Jane Austen's Sanditon ends rather abruptly right when the plot begins to pick up pace. The scene is set, the first basic sketches of the characters have been presented, and the hero has just arrived in town. Another Lady, the anonymous author of the continuation, continues the story where the fragment ends. The connection is seamless.
This novel is a delight to read - I couldn't put it down. The Other Lady follows through on the clues left in the fragment and creates a humourous account of Charlotte's stay in Sanditon. Her style imitates Jane Austen's successfully and the characters are well-developed. Lady Denham's speeches show ample evidence of her selfish nature, Sir Edward Denham is as ridiculous as he promises to be, and Mr. Parker's sisters are determined to try every unnecessary remedy (herbal or otherwise) available. Even the hero of the story lives up to his reputation. Although he has barely entered the story when the Other Lady takes over, Jane Austen left enough hints in her fragment to establish him as a clever and whimsical young man. He and Charlotte are perfect for each other.
I really enjoyed every
aspect of this novel. There is a slight
"mystery
story" that perhaps could have been a little more subtle since I
figured
it out halfway through the novel (and I am usually quite oblivious when
it comes to mysteries). By the end of Sanditon, I was
completely
in love with the charming hero but still rejoiced in Charlotte's
success.
I highly recommend this novel to anyone who has a thirst for Jane
Austen
and who was captivated by her short fragment.
stories have some sort
of a moral to them -- the hero or heroine
under
goes some change of heart or in character or opinion, and I did not
think
this was accomplished. It was just a sweet story, and as such I
enjoyed
it and would recommend it as long as readers understand it is NOT Jane
Austen.
The secert engagement seemed very much like the Jane/Churchill one complete with a shy reserved Clara/Jane. And constant attempts to draw people away for suspecting previous attachment.
Arthur and the invalid Miss Lambe fall in love over seaweed like Capt Bentwick and and the invalid Lousia did over poetry.
Charolette herself seems a combination of a Catherine and Elizabeth. She has an archy wit and dislikes her lover to begin with like Eliza but shortly turns into an love struck Catherine holding on to his every word. The ending is complete for a CM/CH with her lover racing to her home after her to see if she is alright after being brought home so unexpectedly and dangerously.
Sir Edward did sound a
bit like a John Thorpe especially in his gig.
All rattle and no roll(bank roll that
is).
Miss Diana would be a good canidate for the Aunt Norris (possibly a Lady Catherine) of the year constantly in everybodies business.
The whole making her
want to elope with him sounds a bit far fetched
just like Mr Sidney Parker himself but overall not bad story.
Charlotte becomes the main character of the novel, and her impressions of the people at Sanditon melt with the narrative voice, in typical Austenian style. We meet the headstrong penny pincher Lady Denham who has invested heavily in Sanditon. One suspects an effort to promote the sale of her Asses' milch to any invalid visitors. Lady Denham's family by marriage, the verbose and despicable Sir Edward, and his sister, hover around her in order to win favor and some of the fortune. Lady Denham has a poor niece, Clara Brereton, who appears to be the object of Sir Edward's affection, though we are never sure how she feels about him because she is as shy and retiring as a poor relation in an Austen novel should be.
Soon we meet the Parker's siblings Susan, Diana and Arthur who are all terrible hypochondriacs and whose antics provide much of the comic relief of the book. Arthur's treatise on unbuttered toast hurting the coats of his stomach is a delight. We are continually tantalized by the absent Sydney Parker who is renowned in the neighborhood as a witty and lively fellow and a handsome and eligible bachelor to boot. Sadly he is not introduced until the very last pages of Austen's writing and it is left to the Other Lady to form his character for the most part. She does a reasonable job with this, making Sydney into a more affable and charming version of his meddling sisters, with a bit of Henry Tilney thrown in.
The chief problem that the Other Lady faces is trying to match the style of Austen's writing which is always perfectly balanced between concrete detail and generalization. She too often tells us about a scene instead of showing it. She is also impatient during scenes where Austen would revel. Instead of slowly unfolding a tea party, teasing us with long passages of the hypochondriacs i nterspersed with bits of Sydney, she seems eager to be rid of the annoying Parkers and then tells us that Sydney was very charming and made the time fly by for Charlotte. Jane would have handled that mostly through dialogue I feel. When one re ads Austen one feels securely in the hands of a master technician as well as a master artist. Her pace is exactly what it should be and her plot never gets away from her. It felt like at times that The Other Lady was just letting the story flow where it may with no real plan in her head except of vague idea of who ends up with whom.
On the other hand, the Other Ladies' set pieces such a long walk in which various couples pair up and attempt to get along with another is handled in a way that is amusing and would make Austen proud I think. There are shades of Fanny in the Wilderness and Anne watching Captain Wentworth with the Miss Musgroves in this section. The Other Lady has done her homework and her details about fabric and carriages are correct to the period without being too showy. She gives us a world, but lets us live in it instead of just sightseeing.
Sanditon by Another Lady is a successful continuation of the fragment left by Jane Austen. Though the Other Lady is not as funny as Austen and some of her attempts at humor seem a bit forced, I think it is true to the spirit of the characters and the plot as Austen set it into motion. I would recommend it to other Austen fans with the caveat that it ain't Jane, but it's pretty good anyway.
Written by Carryline
(November 5, 2003 )
I recently found a completed version of Sanditon (for 10p at my school
fayre!!) by Another Lady and I thought she found a good way to continue
with the story- Charlotte ended up with the Sidney Parker, Sir Edward
made a bit of a fool of himself by an attempted elopement, Arthur
managed to sort himself out and got married. It was really believeable
and I especially thought the Charlotte and Sidney plotline was great- I
think Sidney is my favourite hero now after Mr Darcy and Mr Knightley!
:-)
Written by Lizzie T.
(November 5, 2003 )
I recommend it, too! I enjoyed it. I think JA would have approved. She
drops several clues in her novel fragment that Sidney will be a suitor
for Charlotte -- such as his reputation as a wit and the fact that,
although he is the second son, he has an independent fortune. And we
all know that a single man of good fortune must be in want of a wife. I
also like the fact that Sir Edward fails in his courtship (if you can
call it that) of Clara. He's about as annoying as John Thorpe.
Written by Caitlinn
(November 6, 2003 )
I really enjoyed this version, especially the fact that none of the wit
was taken out of it, and Another Lady managed to use the same language
to make it almost seamless. A very good version, IMHO.
Written by Jenny C
(November 6, 2003 )
I can't say I enjoyed this continuation. It is by far the best
continuation I have read (2 others for Sanditon, and 2 for the
Watsons), but it was still crap. The elopement scene was ridiculous
without being terribly funny. The Clara subplot was way off what I
think JA intended, and there were some bits of Sidney's character which
I didn't think rang true with his actions. I don't read continuations
or sequels any more. :(
Review
by JennyAllen, 12/9/2003
Austen's fragment Sanditon begins when a Mr. and Mrs. Parker have the
misfortune (or is it fortune?) to overturn their carrage in front of
the Heywood home. Mr. Parker sprains his ankle in the accident an
event
which inspires the Heywoods, though complete strangers, to invite the
Parkers to stay with them till his ankle is healed. During this
time they discover that Mr. Parker is a gentlemen of means who has put
his money into speculation on the latest up and coming resort,
Sanditon. He urges the Heywoods to visit him there, but being
sensible homebodies, they offer their daughter Charlotte as a better
choice as a companion.
Charlotte becomes the main character of the novel, and her impressions
of the people at Sanditon melt with the narrative voice, in typical
Austenian style. We meet the headstrong pennypincher Lady Denham
who >
has invested heavily in Sanditon one suspects an effort to promote the
sale of her Asses' milch to any invalid visitors. Lady Denham's
family by marraige, the verbose and dispicable Sir Edward and his
sister hover
around her in order to win favor and some of the fortune. Lady
Denham has a poor neice, Clara Bareton, who appears to be the object of
Sir Edward's affection, though we are never sure how she feels about
him because she is as shy and retiring as a poor relation in an Austen
novel should be.
Soon we meet the Parker's siblings Susan, Diana and Arthur who are all
terrible hypochondriacs whose antics provide much of the comic relief
of the book. Arthur'a treatise on unbuttered toast hurting the
coats
of his stomach is a delight. We are continually tantilized by the
absent >
Sydney Parker who is reknowned in the neighborhood as a witty and
lively fellow and a handsome and eligible bachelor to boot. Sadly
he is
not introduced until the very last pages of Austen's writing and it is
left
to the Other Lady to form his character for the most part. She
does a reasonable job with this, making Sydney into a more affable and
charming version of his meddling sisters, with a bit of Henry Tilney
thrown
in.
The chief problem that the Other Lady faces is trying to match the
style of Austen's writing which is always perfectly balanced between
concrete
detail and generalization. The Other Lady too often tells us about a
scene instead of showing
it. She is also impatient during scenes where Austen would
revel.
Instead of slowly unfolding a tea party, teasing us with long passages
of the
hypochondriacs interspersed with bits of Sydney, she seems eager to be
rid of the annoying Parkers and then tells us that Sydney was very
charming and made the time fly by for Charlotte. Jane would have
handled that mostly through dialogue I feel. When one reads
Austen one feels securely in the hands of a master technician as well
as a master artist. Her pace is exactly what it should be and her
plot never
gets away from her. It felt like at times that The Other Lady was
just
letting the story flow where it may with no real plan in her head
except of vague idea of who ends up with whom.
On the other hand, the Other Ladies' set pieces such a long walk in
which various couples pair up and attempt to get along with
another is handled in a way that is amusing and would make Austen
proud I
think. There are shades of Fanny in the Wilderness and Anne
watching Captain Wentworth with the Miss Musgroves in this
section. The
Other Lady has done her homework and her details about fabric and
carraiges are
correct to the period without being too showy. She gives us a
world, but
lets us live in it instead of just site seeing.
Sanditon by Another Lady is a successful continuation of the fragment
left by Jane Austen. Though the other lady is not as funny as
Austen and some of her attempts at humor seem a bit forced, I think it
is true
to the spirit of the characters and the plot as Austen set it into
motion. I would recommend it to other Austen fans with the caveat
that it ain't Jane, but it's pretty good anyway.
Written by LizzieT (5/14/2004 11:42 p.m.)
I can't speak for others, but I enjoyed it very much. The version I speak of is finished by "Another Lady" -- it is out of print, but your local library might have it.
Written by KatherineO (5/18/2004 5:48 p.m.)
Sandition by JA and "Another Lady" is still in print in the US. I love it, it is very satisfying and quite funny. And it has a pretty purple and white cover. have fun exploring it!
Written by Miranda (5/19/2004 9:02 p.m.)
I picked up the book at the library last week and stayed up all night to finish it. I loved it, but could tell it was NOT JA. I thought Sidney was a rattle and busybody for most of it and his redemption seems a little rushed but it's still a great story and I'm so relieved to have Charlotte's story wrapped up. I just loved her character when I was reading JA's fragment and then, BOOM! it stopped and I wanted to know what happened to her. Thanks for the recommendation.
Written by JennyAllan (5/18/2004 5:40 p.m.)
The version by "Another Lady" is quite good. You CAN definitely tell when the JA portion ends and the "other lady's" portion begins though. (What a tough job to have to follow up JA in the very same book). I think she has some humorous moments that JA would be proud of (little set pieces where the trivial goings on become of great importance to the story), but is often not in complete control of plot. When I read JA I'm always aware that she knows exactly what she is doing and where she is going with things. But there are times when the latter half of this version of Sanditon just seems to noodle around too much.
But the
outcome of the romance is very satisfying and Sidney turns out to be
very likeable (but flawed) hero. His character reminds me of Emma in
some respects, but I won't say any more to keep from spoiling the book.