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*The* proof...   Written by Reeba (10/21/2009 1:38 p.m.) in consequence of the missive, I'm not sure where the onus of proof is, but..., penned by Tom P2
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of the pudding is in the eating” ;-)

No matter how much one quotes his confessions, his earlier descriptions, or declare interpretations as ambiguous, the fact is that when one knows all that one has read, not one female reading it would like to be involved with him and feel secure in any knowledge of his sincerity or love.

His good points ;-)
1. OK men who are fond of hunting would not mind befriending him because he's a good shot.

2.Being a good dancer would be a plus with females but if they knew the dance they would be led to do down the garden path it would cease to be a good point.

3. He would run to save a damsel in distress. Very good!! But then he would walk away happy with the opportunity thrown at his feet for some dalliance.

4. He develops genuine feelings (?) for *some* (read Marianne) of his victims/relations. These genuine feelings are realised only when the girl is dying. So if one is patient enough for that moment - then agreed, he's not so bad ;-)

Hmm. I can't think of any other.

My conclusion:
Objectively one could strive to give him some good points - but subjectively he's proved a villain to the women, who may forgive him like Elinor, Marianne, but it only shows their good character - not Willoughby's


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