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Living her romantic sensibilities
Written by Robbin
(9/15/2009 11:11 p.m.)
in consequence of the missive, Feelings that make composure a disgrace, penned by Barb JA
I think the excess sensibilities in which Marianne and Mrs. Dashwood indulge are scripted in the sense that they have imbued what true heartfelt grief (or happiness) looks like from romantic stories and poems. Apparently to have strong emotions and suppress the expression of them is wrong and further the expression of feelings must do justice to the strength of them: Marianne abhorred all concealment where no real disgrace could attend unreserve; and to aim at the restraint of sentiments which were not in themselves illaudable, appeared to her not merely an unnecessary effort, but a disgraceful subjection of reason to common-place and mistaken notions. (Ch. 11) In Ch. 4 Marianne scolds Elinor for stating her feelings “in so quiet a way” saying “Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise” suggesting her lack of raptures about Edward are due to a wish to hide her feelings. When Elinor did not act as Marianne expected a woman in love ought when parting from her lover she is puzzled: "And Elinor, in quitting Norland and Edward, cried not as I did. Even now her self-command is invariable. When is she dejected or melancholy? When does she try to avoid society, or appear restless and dissatisfied in it?" (Ch. 8) Marianne knows that Elinor cares for Edward so to her Elinor’s composure is at odds with her feelings. With these notions as her truth it is no wonder Marianne considers composure a disgrace and feels no need to capture any herself. (:D)
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